Author Archives: Frog-kun
June 2018 Update: Oops, I burnt out on light novels so I’m now going to talk about video games instead
NOT to be confused with Hisone x Masotan.
SPOILERS FOR DRAGON PILOT: HISONE AND MASOTAN EPISODES 1-10 BELOW:
So far, the Persona 5 anime has been about what you’d expect from an anime adaptation of a video game, which is to say that it’s not very good. This is kind of a shame since the series director, Masashi Ishihama, has quite a reputation for directing stylistically interesting anime (From the New World, Garakowa: Restore the World). At first glance, he seemed like the perfect guy for a Persona 5 adaptation, given that the game oozes with style despite its PS3-era graphics.
It’s not that Ishihama’s involvement hasn’t done good for the P5 anime. The OP and the first episode, which Ishihama storyboarded and directed himself, are easily the most stylish parts of the anime so far. But the rest of the anime hasn’t lived up to those standards at all. The all-out attack animations look like they’re missing key frames and overall the show just looks flat.
But I don’t want to dwell on the bad stuff. Episode 5 is the best episode since the first one; it gives a glimpse of what other people besides Ishihama envision for the anime. That doesn’t mean that I like or agree with all the directorial choices, but it’s definitely the most interesting the anime has been in a while. So let’s take a closer look at Tatsuma Minamikawa’s storyboards for episode 5.
It’s finally out!
I spent over 100 hours last month playing Persona 5 and I regret nothing.
Isekai Izakaya is less of an anime and more of animated infomercial – and a good part of it isn’t even animated. For better or worse, though, that live-action cooking show segment at the end of the episode was probably the most entertaining thing about it, if only because the chef’s enthusiasm looked more authentic than any of the reactions shown in the anime itself.
I’m thrilled to announce that Mari Okada’s biography From Truant to Anime Screenwriter: My Path to “Anohana” and “The Anthem of the Heart” will be getting an English e-book release on May 4, published by J-Novel Club. You can read a free preview of the book’s prologue at J-Novel Club’s website, and you can pre-order the book from Amazon here.
If you’re a subscriber to J-Novel Club and you pre-order the premium ebook, you’ll enter the draw to win a shikishi signed by Mari Okada herself.
I’m biased – I’m keen on promoting this book because I translated it myself. Hopefully if this sort of book sells well, it could pave the way for more English translations of books about anime creators. So if this sort of thing interests you, please do buy the book!
Moving house is a pain in the butt. This is true no matter which country you’re in. This month, I moved house to west Tokyo. I really like where I’m living now because I’m within cycling distance of most of the anime studios in Tokyo. But moving to a new house was actually way more stressful for me than moving to Japan in the first place, mainly because it was my first time going through a Japanese real estate agent, buying my own furniture and setting up gas and electricity and whatnot. So in a way, this past month has felt like I’m finally moving into Japan for real.
I also happened to meet my fellow ANN Tokyo Correspondent for the first time last January, and this was the first month where we ate out together after going to an assignment. Since ANN is an international organisation where most of its members work remotely, I don’t often experience that feeling of socialising with my colleagues. My life has been all over the place in these past few months, but now I’m starting to feel like I’m settling into my job. It’s a nice feeling.
At the same time, I think it’s time for a change.