Author Archives: Frog-kun
I had nothing better to do on Valentine’s Day so I decided to watch all of Seiren so far.
WOW, it’s been a while, hasn’t it? Even this monthly update post is almost a week late because I was away on a trip. I don’t even have any excuses for the radio silence, really, since it wasn’t like I’ve been particularly busy last January. I’m still in holiday mode, to be honest.
In any case, here’s what I’ve been up to lately:
The longer I keep up with seasonal anime, the more evident it becomes that most anime are vehicles of stealth marketing. You can watch anime-original projects full of SAKUGA like the above, but most shows are 350-minute long advertisements of a manga/novel/game/whatever. Why bother sticking to just anime for your weeb entertainment in today’s media mix environment?
These days, I usually go directly to the source material unless I really like the anime staff. There are very few anime that fall into this category this season, unfortunately. I would have liked to watch Little Witch Academia, but unfortunately there’s no legal streaming option outside of Japanese Netflix. And as much as I like Yasuhiro Takemoto and KyoAni shows in general, Maid Dragon Kobayashi isn’t my kind of thing.
But whatever, I’ve still been getting into some interesting stuff this season, so here are some vague impressions.
Light novels are known for their clickbait titles even though the majority of light novels do not actually have clickbait titles. But hey, I fell for it, because out of all the J-Novel Club titles released so far, the only ones I’ve read at the time of this writing are My Little Sister Can Read Kanji and I Saved Too Many Girls and Caused the Apocalypse. I regret nothing.
This blog post is an evaluation of the two titles and their potential for fantastic memes.
Reki Kawahara is well known for Sword Art Online and Accel World, but if you ask me, his best work is The Isolator, a sci-fi thriller and psychological drama series that only gets a new volume once a year. It’s based off a web novel Kawahara began writing in 2004, but he has rewritten the story heavily for its light novel release, and it is easily his most mature work.
Let’s recap the 12 Days of Anime and the whirlwind year that was 2016.
In October 2016, a friend of mine launched a website called Anime Feminist. I’m really surprised at how well it’s been doing so far. Although I’m not actively involved with creating content, I’m close enough to the action to see just how hard the staff has been working to keep things going. It’s been a real privilege to see the results of their work, and I hope that the site meets all its funding goals in 2017.
I’ve already talked about my motives for supporting Anime Feminist elsewhere, but I do want to talk for a bit about how I first became friends with the site’s editor-in-chief, Amelia Cook. Looking back, it was a rather unlikely friendship….
Today’s post will be short because as the title subtly implies, I’m somewhat pressed for time.
2016 has been a crazy year in world politics, to put it lightly. Anti-globalist sentiments and nativism aren’t anything new in the scheme of things, but they were big factors behind some of the major political decisions of this year. Yet in spite of all the heightened anxiety about immigration and foreign trade, globalisation continues to truck on with no sign of stopping.
The anime industry is becoming more international. In 2016, we got a US-Japan anime collaboration in the form of the SHELTER music video, and we also got to see Kimi no Na wa break records around the world. And these are just the most obvious things that happened this year. These days, more and more foreigners are working in Japan’s anime industry (see: Thomas Romain’s cool website for aspiring French animators), and online streaming is getting bigger around the world. It’s never been a more exciting time to be an international anime fan.
Sure, the world might be fucked in the long term, but at least I’ll be watching good anime until the apocalypse…