Author Archives: Frog-kun
Like most anime fans, I only heard of Genki Kawamura after Your Name became a smash hit around the world. As one of the producers of Your Name, Kawamura is sometimes credited with making Makoto Shinkai’s infamously obtuse and sentimental style of film making accessible to mainstream audiences for the first time… although I don’t know how much influence Kawamura really had on the storytelling itself. Regardless, he’s a big personality in his own right, which is something you don’t often see with Japanese anime producers.
This is just a quick PSA to address a misconception that’s been floating around for the past few days.
In 2018, I had a New Year’s resolution: “Don’t fuck up.”
This was a difficult volume to get my head around. I’m writing this summary not just so that fans can get an idea about what happens, but so that I can sort out my feelings on it.
Re:ZERO was one of my favourite anime series of 2016. I remember being kind of skeptical about the series at first since it seemed like your cookie cutter isekai anime, but I ended up loving it by the end. It had some interesting things to say about the hero’s masculinity, and plus it had some of the most memorable side characters I’ve seen in this subgenre.
Now that the Memory Snow OVA is finally just around the corner, I found myself revisiting Re:ZERO and falling in love with it all over again. I read the first two volumes of the short story collection (短編集), which focus on the slice of life antics of Subaru and co. that occur between episodes 11 and 12, and was surprised at how much I liked it. I thought that most of my fondness for this series comes from the side characters, worldbuilding and the harrowing adventures, but somewhere along the line, Subaru and his friends have grown on me. At least, I wasn’t bored reading two volumes worth of stories about them where nothing much happens.
I’m not going to bother summarising what happens in the stories themselves, as those details don’t matter much to me. Some other dedicated fans have probably already summarised all the books anyway. What I am going to do is list some things I thought about as I was revisiting this series for the first time in two years. Spoilers for the anime to follow.
The Witch of Tata (タタの魔法使い) by U Pa is one of the most interesting isekai light novels I’ve ever read. I’ve mentioned it before as one of the better examples of its genre, but I want to go into more detail about what makes these books so interesting now that the second volume has hit Japanese bookstores.
It is pretty interesting to see how Comiket has been mythologised, both inside and outside Japan. Just like Akihabara, the electric town, Comiket has become a symbol for the Otaku Lifestyle. Every year, hundreds of thousands of anime fans from around the world gather at Tokyo Big Sight to get a taste of this time-honored otaku tradition.
Many come away disappointed.
I think about privilege a lot. It’s something that I suspect a lot of children of immigrant parents have to think about, especially when they grow up listening to stories of their family’s poverty. “We worked so hard so that you could live well!” my mother has often told me. “Appreciate the sacrifices we made for you!”
As a result of these constant reminders, I’ve never doubted for a moment that I’m privileged for growing up in Australia. But it has been a lot harder for me to figure out exactly how my privilege affects my life, besides an abstract notion of “having more food and money.” The thing about privilege is that its hand is mostly invisible, and so even if we can detect some of the benefits, we often don’t notice how it seeps into our very way of thinking.
These days, I think of privilege like this: it’s a cushion that gives you less things to take individual responsibility for. Like how “male privilege” insulates men from having to think about protecting themselves from sexual harassment in public places, or how “white privilege” stops white people from having to worry about being stopped by the police just because of their appearance, the privilege of growing up in a developed nation absolves us from making decisions about our health, education and finances that we’d struggle to navigate if left to our own devices. We benefit from society’s collective knowledge, even when we understand very little of it.
The worst thing a privileged person can do is pretend that the invisible cushion is the result of their own handiwork.
That’s what I think about when I read How a Realist Hero Rebuilt the Kingdom. It’s the kind of story you’ve probably seen before, about a person from the modern world going back in time or into a fantasy world and advancing their societies using modern knowledge. Somehow, this average shmuck has all the specialist knowledge and administrative expertise to enact sweeping social and economic reforms to immediate success. We all know that things aren’t so simple, but it’s a thought experiment we like to entertain because a part of us thinks that we’re cleverer than the people of long ago.