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What’s It Like To Be A Voice Actor?

voice-over-actorI recently read Tara Platt and Yuri Lowenthal’s guide on how to become a voice actor. Their book, called Voice-Over Voice Actor: What It’s Like Behind the Mic, was first published in 2009, but their observations about the North American voice-over industry should still be valid today. Here’s the part I found most relevant to my interests as a fan of English dubbed anime:

Here’s generally how [English dubbing] works: you’re in the booth (sitting or standing), and in front of you is a monitor on which the engineer will play the animation for you. Your script is on a music stand in front of you. Usually your dialogue is broken down into bite-sized pieces called loops. You may watch a lop a couple of times to get a feel for both the timing and what the mouth movements (or flaps) look like before laying down the dub track.

Oftentimes the director has the engineer play the track in the original language so that you get some context from the original performance. How close you try to get to the original performance is up to the director. This process definitely takes some getting used to, and can, at times, be like juggling a ball, a bowling pin, and a chainsaw. But you will usually have your guide: the beeps.

Immediately preceding the moment when you need to begin speaking, you hear (in your headphones) The Three Beeps. These beeps are timed so that you begin speaking on the beat where the imaginary fourth beep would fall. So: beep… beep… beep… speak! (pp. 35-6)

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Everything You Need to Know about Qualidea Code

1468033439_2_4_4bdcd55acfeee6cd3d711c6dfc8e79f8The Qualidea Code anime started airing today! …leaving audiences around the world very confused. Thus, I have prepared a handy FAQ to explain what the heck is going on and how this series was conceived.

[NOTE: This guide uses Japanese order for names: family name first, given name last.]

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