The Art In OreGairu Does Not Suck


This would be my reaction to you if you told me the art and character designs in Yahari Ore no Seishun Love Come wa Machigatteiru are ugly.

But I wouldn’t actually be surprised. There are two major off-putting factors when it comes to OreGairu on face value: 1) it’s yet another pretentious light novel romcom adaptation and 2) the character designs are not cute. It just goes to show that you shouldn’t judge a novel by its cover (literally!) and OreGairu is a series with a lot more substance than what it initially lets on. The seemingly sloppy art style merely contributes to this. It takes the focus away from the visually pandering element of most anime of its genre and emphasises the twisted nature of the tropes that are explored within this series. Like the story, the art isn’t always pretty and ultimately it rings as incomplete and half-done when viewed as a whole, but that in itself is an interesting and striking effect. Far from sucking, the art in OreGairu actually makes the series better.

The atmospheric element of anime – the aspect created through art and visual direction – is often neglected in most pieces of writing that attempt to analyse a particular anime. The only occasions when the art seems to deserve special mention is when it is particularly striking, like in Bakemonogatarior when the direction is controversial, like the rotoscoping in Aku no Hana. I admit that I often focus most of my attention on the literary aspect of anime rather than the visual aspect. For all that, it’s a subject that really interests me. How does the art in OreGairu work alongside the spoken narrative and contribute to its overall effect?

I’m not very well-versed in the visual arts, so I thought I’d let a more knowledgeable friend of mine take over for this post. AquaJet (see her tumblr here) is an experienced artist and has for a long time been influenced by anime art. When she told me that she really enjoyed the visual aspect of OreGairu, among other things, she kindly offered to write about her perspective on it. To me, it’s fascinating because it opens up a different way of reading into anime. We shouldn’t take the visual narrative for granted! 

From here, I’ll let her writing speak for itself.

Oh, yeah, spoilers for OreGairu in this post. You have been warned.

First off, let me just put out there that Hikki is a loner because of how he is socially awkward. Many animes have a tendency to praise the loner character but do a shitty job in portraying it. These “loner” MCs technically do have good friends, but the MCs are generally poops and try to make it seem like no one understands them and try to do everything on their own (i.e. a certain boy dressed in black from a video game anime). OreGairu, however, is very unique with its portrayal of Hikki’s behavior as a loner.

Figure 1:

Image 2

Figure 2:

Image 3

I kid with my commentary. But these are screenshots from the first episode so you know right off the bat that Hikki doesn’t talk much to others. He may pause and look back but it’s obvious that no connections were established. He was too busy contemplating on whether to help the first girl but someone else took the spotlight. (This actually happens a lot with Hikki.) The other example was a bit cruel. I hate it whenever I think someone is calling for my attention but then it turns out to be for someone else. It’s actually worse for Hikki because he doesn’t have friends and he knows that but he still turns around, possibly hoping that a person was looking for him.

It doesn’t matter what any loner says – they are the way they are because they had an expectation or ideal and then they watched as the world shattered it to pieces so to prevent that pain from happening again, they cut the roots and try to hide behind a shell. In Hikki’s case, he avoids any sort of social interaction which prevents him from establishing a simple friendship with others.

It’s very ironic to say that the show is a romcom because it’s far from that. The MC himself is just too closed off. Most people wouldn’t want to be Hikki’s friend because he’s pessimistic, cowardly, and hard to talk to. The show’s two main females, Yui Yuigahama and Yukino Yukinoshita, serve to highlight this fact. Yui is a socialite who isn’t confident in herself, while Yukino is somewhat of a loner but has much more confidence in herself. When it comes to friendship, Hikki responds negatively to them both but in different ways.

Let’s start with Yui. It’s obvious after the first episode that she has feelings for Hikki because she tries to bake cookies for him; however, it’s not as obvious until the end.

I mean, look at the shape of that cookie.

Image 6

Yeah, so she isn’t that much of a great cook, but what did you expect? Practically 98% girls in anime find and cook their food from Hell’s Kitchen. Anyway, these cookies are her feelings of thanks toward Hikki because he saved her dog. At this point, Hikki doesn’t know it’s her dog that he saved but he gladly accepted and ate it.

Image 7

How very sweet of him. Even though Hikki isn’t very nice or honest with his words, he is very kind. However, he doesn’t like “nice girls”. In fact, he considers women to be his enemy and even has an infamous monologue about why he hates nice girls (It’s in episode 5, in case you want to skip and see it).

In the scene where he turns down Yui (not in a romantic way… there’s no passionate confession in this specific episode!), the animators did a spectacular job in how it’s presented. Please note that this is after Hikki finds out that he saved Yui’s dog and feels as though she’s only hanging around him because she feels responsible for his loner behavior.

Image 4

Image 5

Let’s break down these images. image A shows Hikki’s hand. Notice how it’s held in a tight fist, mainly to show he’s frustrated. There’s also the fact that the animators have decided to NOT reveal his eyes (They do in image F and show a close up of his face after image G but I cut his close up for a reason). We know all know too well that the main protagonist’s eyes in anime are very expressive and are shown whether it’s in silly chibi form or in detailed realism. It’s usually the side characters or people who hide their feelings that typically have their eyes hidden. His eyes are not shown in either Image C or D but you do notice that his smile changes into a frown. If you paid any attention to Hikki at all, you’ll notice that he doesn’t smile much and when he does, he comes off as creepy (or silly-looking). I think this creates a stronger impact because you know Hikki is hiding something, not just because his eyes are hidden, but because he’s showing an uncharacteristic smile that he can’t hold up. He is not like Yui. He cannot smile and betray himself.

In Image B, Yui walks towards Hikki but then stops at a certain point. This anime likes to put in a lot of images for the distance between characters and this frame is one example of it. Normally when you’re close to someone or even pretty good friends, the distance between you and your friend is closer than the distance between you and a stranger. This is a subconscious move that you make based on the amount of trust you have in that person. If you feel intimidated or cautious then you will be at a distance and if you feel unthreatened or safe, you will be close. At the distance Hikki and Yui are in, they appear as distant acquaintances but that’s not all that’s portrayed in these frames. They make it seem as though there is some barrier between them which there is. Hikki has always been the type of person to keep his distance from others and Yui is no exception. This is the anime’s way of saying that Yui tried to get close but since Hikki didn’t allow her to get any closer, she ended up getting hurt and leaving.

Even when they make up in the next episode, it is only resolved because their relationship has “reset” and all previous strings attached are cut. This puts a big strain on whatever relationship he had with Yui and is a big turning point for Hikki: after this point, he fails in helping people.

All the people he helped before this point appreciated his help even though it might not have been popular with others. During the summer camp arc and cultural festival arc, he wasn’t as successful as his first attempts. He couldn’t help a little girl regain her friends or give confidence to an incompetent chairwoman. This mainly has to do with Hikki’s lack of faith in people and distorted view of the importance of social interaction.

This makes me wonder if Yui and Hikki can even be considered friends by the end of the anime.

Now that we’re done with Yui, let’s get on with Yukino, the loner. Yukino and Hikki aren’t exactly on equal terms because Yukino does make a friend by the end of the anime while Hikki had only accomplished making an acquaintance (and Yui doesn’t count because she may consider him a friend but he does not consider her one). However, Hikki feels a connection with Yukino which is why in the first episode, he asks to be her friend. Yukino ends up declining this offer, mainly because she doesn’t know or trust Hikki.

It would be unwise for Yukino to be friends with Hikki in the first place mainly because Hikki has kept a certain ideal in his mind of her–she is perfect, beautiful, and never lies. The anime’s visual interpretation of her as she is first introduced to Hikki is quite interesting and very revealing of Hikki’s thoughts and character without him saying anything.

Image 8

Yukino is sparkling in both images and it also seems as though she’s part of another world. This is Hikki’s vision of Yukino, a terribly bad ideal to have of her. Her angelic look in the second image is actually pretty (I have seen better animation from Hyouka but this is decent). She is talking to Hikki about how she, a gifted student, is responsible for helping the “lost lambs”, meaning Hikki. It’s meant to be an ironic interpretation. However, before they engage in one-on-one chatter, Hikki is carefully taking her in. The first image is of her in a small bubble. She is very beautiful, very colorful, and very fragile. One of the things I admire about this anime is that it does take a realistic and logical action. In later episodes, Hikki realizes that Yukino does lie and she is human. He even admits to being enchanted by her which is something that he doesn’t easily admit to.

Hikki’s acquaintance that I mentioned earlier is none other than Yukino. Hikki has had some growth throughout the series but fundamentally, he hasn’t gone as far as Yukino has. She does have a friend and a really valuable one. It should be no surprise that she and Yui have become great friends. This serves as a foil for Hikki. It’s the fact that he doesn’t allow anyone to become his friend and makes no attempt to establish that intimacy. He’s so conditioned into believing that he misunderstands people’s intentions that he’s very cautious of social interaction. The wonderful thing about Yui and Yukino’s friendship is the fact that they do care for each other and they show it.

Image 9 A

Image 9

Of course you can say that it’s harder for Hikki to become friends with these girls rather than for them to be friends. I would say you’re half right. Of the male cast, there’s only three (maybe two) who are significant enough for Hikki to call his friends; however due to his personality, he finds it hard to connect to those people. There’s also a cultural aspect of Japan. Rarely, do you see males and females becoming close friends, the only exceptions are when they are in a group of five or so people OR they become a couple. This is why in many anime, same-sex friendship is very popular (and can be interpreted as Yaoi/Yuri because their intimacy is often better than heterosexual romance). So the problem with Hikki is that his culture and personality is what prevents him from making friends with the girl leads.

Despite all the negative things I’m saying about Hikki, I actually adore the boy very much but I can’t let my rose-tainted glasses gloss over how he really is. Hikki is a kind person who does his best to help others even though it doesn’t always work out. And even though it’s small, he has progressed and changed a little. It just wasn’t enough.

Image 10

Don’t be fooled between the last two images. They have a sudden change from short to long sleeves so they’re NOT from the same episode. I actually like these shots because they show Hikki’s progress. In the first two images from the first episode, he’s so far from both Yui and Hikki. There’s nothing connecting them other than the fact that they’re in the same room, all sitting down on chairs. In episode six, Yukino and Hikki give presents to Yui. I was a bit surprised when Hikki actually bought something for her plus, he’s not as far away from the other two. (LOOK THE TABLE FROM THE BACKGROUND). Finally in the last episode (yes, 12 is the actual ending of the anime. Episode 13 is kind of an extra), they’re all together, sharing the table. It’s a big difference from the first episode, wouldn’t you say?

If you ever decide to rewatch this series, take note of how far or close the characters are from each other in the anime. It’s actually interesting (but I may be the only one that notices these things). Please tell me your thoughts about the series because I’d like to hear them~!

Aqua out!



  1. Another thing I noticed throughout the show, every time the three are shown together: Yui is always at the middle, right? Hachiman and Yukino are the extremes, and most of the verbal sparring happens between them. But Yui has an easier relationship with either–halfway through the show she approaches Hachiman with ease, and Yukino starts relying on her for help. One could think of her as a bridge, but she’s also the central point in an isosceles triangle. (Wow crap I hope that made sense)

    • That does make sense! I like your idea and support it. I’ve always thought that Yui tries her best to reach out to Hachiman and Yukino especially since they’re nice people on the inside. Thanks for the contribution :3

  2. Oh, I noticed the bits with the table as well! I think it’s interesting how the director uses the table not only to fill up space but to connect the characters in an interesting way in order to portray their emotional distance. In particular, this reminds me of a certain dinnertime shot from Jean-Luc Godard’s A Woman is a Woman, where items on the table are arranged to connect the two conflicting lovers, who are seated at opposite ends of a table. I’m admittedly not the biggest fan of Oregairu, but I’m a huge nut when it comes to having directors construct interesting mise-en-scenes and montages and these tend to be so basic that they tend to be overlooked, which is sometimes a bit sad considering that these are basic units which constitute any film or animation.

    Despite this however, I’d say that art and animation are separate from visual direction, in that the first two are based almost purely on technical requirements while the actual composition of the scene is based on the director (and both the actors and scenic designer in film). So when the flat color palette of the series or still background animation is being criticized, I’ll have to give them way since technical merits are a perfectly fair thing to criticize especially in animation.

    On the flipside though, it’s important to note that films, like most art forms, are hardly a pure exercise in intellectual capacity and I find that the best, most complex directing appeals to sensation in creative ways. No matter how slight, visual metaphor is powerful and brings people to realize things on a subconscious level, sometimes without noticing it at all. So in a sense, I think the best scenes are those which guide people to complex, emotive answers with only a slight suggestion.

    • My main focus was visual representation which includes art, animation, and visual direction. The title was created by Froggy and I assume that he also believed that art was a broad interpretation of what I was talking about because there are specific nuances to “art”.
      I disagree with your idea that art/animation is separate from visual direction. After all, the animaters are the directors of the animation and can decide the scene’s composition. The biggest difference between the two is simply that a director uses real people/actors to make a scene while animators simply draw the scene. (However, since CGI is becoming more prominent, they might as well be very close).
      Other than that, I’m glad I found another person who likes notice all the little things going on within a scene. I hoped you have watched Sherlock because it has a lot of beautiful cinematography!

  3. […] So this started out like a lot of other shows: a volunteer club listens to students’ requests, and the club members who have no friends become friends. Where this show is interesting is in the fact that the main character does everything wrong. Little girl can’t make any friends? He threatens her classmates and makes them piss their pants so they’ll band together. Wants to win at the school festival? He cheats. He cares about other people, but his solutions tend to make everyone happy except himself. The “villain” (if anyone can be called the villain) is this one guy who is genuinely nice. The main character finds him disgusting. For more details on how the show takes the school love comedy format and exploits it, check out this excellent post. […]

  4. […] One thing I don’t really talk about is the formal attributes of the film. Although I mention early on that it is beautifully animated, I never go into detail in terms of the aesthetics the film employs. As I’ve just spent ~3000 words arguing that Otaku no Video uses a “textualist” definition for otaku centered around their obsessive nature, what does this say about the specific aesthetic qualities of the film itself? The Gainax bounce, for instance, is fully present here, and the painstaking attention to detail could be seen as a hallmark of this film as an “otaku” piece of work. I would consider trying to write up such a post, but I feel it’d just come out as an otaku-focused, less impressive version of this. […]

  5. Sorry, but the art is often ugly and off-model. When it isn’t, though, it’s pretty and fitting!

    The directing, however, is good which you pointed out.

    • Watching the show again, I realise there are a lot of rough patches with the animation, although for the most part, I think the ugly character designs were intentional.

      So overall, what did you think of Oregairu? It’s one of my favourite high school anime of all time :)

      • I enjoyed it, but it was rather frustrating at times (it felt like it wanted to have smart monologues than have a message to move the development forward). Looking forward to the second season, whenever that comes out.

        I liked all of the characers, though, which is something.

  6. I didn’t like that much Hachiman’s design coz is kinda stereotypic. I didn’t expect a bishounen but his eyes are really the dullest. Must be to fit with the description of ‘rotting eyes’ but still..

    Also, it’s no Kyoani so the production values can’t possibly compare to Hyouka’s.

    That said I really like the anime. Just 2 EPs to go.

    Great remarks about space signifying intimacy. In Japanese they use the words hedataru and najimu. Hachiman hedetaru a lot, he’s distant. Check here

    I also liked the visual direction of the opening with the low cut angles and that one shot of Yukinon where the flowers hide her face. It reminded me of a historical period in Japan when the oujos in the high court didin’t reveal their face but stood behind shade screens and it’s really fitting considering her family’s standing.

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s