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Moving house is a pain in the butt. This is true no matter which country you’re in. This month, I moved house to west Tokyo. I really like where I’m living now because I’m within cycling distance of most of the anime studios in Tokyo. But moving to a new house was actually way more stressful for me than moving to Japan in the first place, mainly because it was my first time going through a Japanese real estate agent, buying my own furniture and setting up gas and electricity and whatnot. So in a way, this past month has felt like I’m finally moving into Japan for real.
I also happened to meet my fellow ANN Tokyo Correspondent for the first time last January, and this was the first month where we ate out together after going to an assignment. Since ANN is an international organisation where most of its members work remotely, I don’t often experience that feeling of socialising with my colleagues. My life has been all over the place in these past few months, but now I’m starting to feel like I’m settling into my job. It’s a nice feeling.
At the same time, I think it’s time for a change.
People like to complain about journalists a lot. Readers routinely vent their frustration at Anime News Network for whatever reason. For example, the latest This Week in Anime column had a vocal minority of people accusing the website for being “insulting and derogatory” because the writers used the word “heteronormative” in an opinion piece.
Of course, there is more to ethics in journalism than picking the “right” side in the culture wars. So I would like to dedicate today’s blog post to some of the ethical concerns I deal with as an anime journalist on a day to day basis.
Any opinions expressed here are my own and don’t reflect the stance of Anime News Network or Crunchyroll.
That’s how I want to begin this post, because whenever I think about my blog, I just want to apologise. I’m sorry for not updating, I’m sorry for not doing the 12 days of anime, I’m sorry for just reposting old articles instead of writing anything new.
Another overseas trip, another anime con.
I am not a games journalist, but somehow I ended up doing games journalism.
To celebrate the 38th anniversary of the original Mobile Suit Gundam series, Crunchyroll has recently added some classic Gundam titles to its catalog. Let’s take this opportunity to look back on Mobile Suit Gundam Wing, the show that ignited the West’s love affair with Gundam. You may be surprised at how many convenient factors lined up in both the original Japanese context and the international distribution process that helped pave the way for Wing’s success.
My flight is tomorrow so I’m gonna keep this short, but I’m going to Crunchyroll Expo! I’ll be attending as a member of the press, but I fully intend to enjoy myself there. If you’re going to be attending the convention too (or if you just happen to be in the area), come and say hi!
It’ll be my first time visiting the United States, so I’m really looking forward to it. I wish that I could stay longer and see more of the country, but I’ll be back in Tokyo by August 29th to resume my regular work.
I’ll have a longer update when I’m back, but that’s all for now. Take care, everybody!
So, as I mentioned in an earlier post, I’m now living in Japan and starting a new job. Specifically, I’m now a Tokyo Correspondent for Anime News Network, covering events in the area as well as the odd film review. You may have seen my writing on the site!
As you can imagine, life has been pretty hectic these past few weeks, so I haven’t found any time for blogging or even translating. This is why I’ve started republishing some of my old columns from Crunchyroll to ensure that this blog does not completely die. I’m quite attached to frogkun dot com, and I want a place where I can talk about personal things. And boy have these past few weeks given me a lot to talk about.
I’ll be moving to Japan next month. I haven’t decided how long I’ll be staying yet, but for now I’ll be starting a new job in Tokyo. If you’re in the area and want to meet up, feel free to send me a message.
I’ve never understood the hipster mentality. While it’s true that not all popular things are good, I don’t see the point of getting mad about the duds or attacking the fans for being mindless sheeple or whatever. Take Sword Art Online, for instance. This series has a laundry list of flaws but the Youtube reviews in particular blow them way out of proportion. What is it about SAO that inspires so much ire? I have no idea, since its narrative flaws exist in just about every mediocre anime ever. Even if I disliked the series, it’s just not worth the energy to rant about.
The above paragraph is fairly moot since I actually like SAO, and I wrote multiple articles this month apologising for it. On Anime News Network, I wrote a piece on Reki Kawahara’s career, arguing that he’s improved as an author over the years and that SAO is mostly the product of his amateur web novel author days. On Crunchyroll, I praised SAO‘s visuals and pointed out that the anime is a good adaptation of the novels, all things said and done.
All this SAO talk was in anticipation of the Ordinal Scale movie. I was particularly looking forward to it because I got the opportunity to write interview questions for the creators, and I knew beforehand just how much love and hard work had been poured into it. The film was a pure fanservice from start to finish, but let’s not interpret that in a negative light. I think iblessall put it best in his review of the movie:
…it was delightful to see Ordinal Scale speaking a language only those who care about this franchise—warts and all—can understand. In the moment when we see Starburst Stream unleashed once again or Yuuki’s spirit embracing Asuna as the Mother’s Rosario Sword Skill appears in a burst of purple lights, the film clearly, unavoidably asks but one thing of its audience: “Remember. Because if you remember how you felt when you watched Sword Art Online, this is for you.”
I’m sure that this film has its fair share of detractors, but Ordinal Scale was unquestioningly Sword Art Online at its best (to me, at least). Can we finally agree that SAO has its legitimate good points?