I recently got around to reading Beautiful Fighting Girl by Tamaki Saito (originally published in 2000 as 戦闘美少女の精神分析, lit. ‘A Psychoanalysis of the Beautiful Fighting Girl’). Despite its status alongside Hiroki Azuma’s Otaku: Japan’s Database Animals as one of the landmark publications on “otaku theory”, Beautiful Fighting Girl has made considerably less inroads in English-language scholarship, partly because the English translation only came out in 2011, and partly because Saito’s scholarship is very obviously flawed.
Nevertheless, I thought Beautiful Fighting Girl was a really fascinating read that helped stimulate my own thoughts about otaku sexuality. Saito’s argument that otaku culture is rooted in sexuality is something I find intuitively appealing, not least because I’ve made some similar observations in the past. So in this post, I’d like to critique Saito’s analysis directly, while also building on his more interesting ideas. In this way, I hope to develop a more workable theory of otaku sexuality, or Why Do People Love Their Waifus/Husbandos?
If I were a Magical Boy ©, I would like to be a really kawaii dude, not like those lame dorks in Cute High Earth Defense Club LOVE!.
What I’m currently watching: Akame ga Kill!, Ao Haru Ride, Barakamon, Free! Eternal Summer, Gekkan Shoujo Nozaki-kun, Haikyuu!!, JoJo’s Bizarre Adventure: Stardust Crusaders, Kuroshitsuji: Book of Circus, Sword Art Online II, Tokyo Ghoul and Zankyou no Terror. (As of August 01 2014)
In my last post, I discussed my stance on sexism in male otaku fandom. I described my ambivalence about my own fan activities and how I have always felt complicit in sexist attitudes despite my desire for gender equality. It is certainly easy to point out that anime fanservice objectifies women (among other things) and in doing so turn your critical eye away from yourself.
This time, I want to focus on the female anime fan’s perspective. In doing so, I hope to show that sexism in the anime fandom lies far beyond what is shown in anime itself. The sharp division between anime communities “for boys” (i.e. Reddit and 4chan) and anime communities “for girls” (i.e. tumblr and fanfiction sites) does not help. There is a distinct lack of open communication between both genders online. This enforces gender stereotyping on both ends.
This post is a collaboration with my friend AquaJet. She is an insider of both female otaku culture and tumblr culture. I decided to feature her writing on my blog because I feel this is a perspective that needs to be shared to a wider audience.
To entice you to read this post, here is a picture of two guys kissing from one of my favourite shows.
For the final day of anime blogging before Christmas, I thought it would be a great idea to be one of the cool kids and do a podcast. And because my bestest friends in this world are 2D, what better company to do a podcast with than anime characters?
Today’s podcast brings together the cast of Ore no Imouto ga Konna ni Kawaii Wake ga Nai and Yahari Ore no Seishun Love Come wa Machigatteiru, where they’ll be discussing the best and worst anime of 2013.
Note: There’s no audio. It’s just a transcript. Sorry.