First off, I recently collaborated on a post with my friend iblessall about the official English translations of the Concrete Revolutio anime. Please check it out on Mage in a Barrel!
Speaking of Concrete Revolutio, lately I’ve been translating some of the interviews and commentary posted on the official website. I’ve been doing it on and off in my spare time, so it’s gonna take a while before I finish translating everything, but I’m super stoked about this anime and I hope it lives on as a cult classic. A few weeks ago, I translated some commentary by the director and scriptwriter, which I hope you find interesting!
I’m also hoping to write some articles in the future about the cultural history of kaiju movies, tokusatsu, magical girls and some of the other motifs used in Concrete Revolutio. I hope this will be of interest even to people who haven’t watched or didn’t enjoy the anime. That said, this will require lots of independent research and some rewatching of Concrete Revolutio, so I plan to take my time with this little project.
In other news, I’m hiring a social media coordinator! I’m also giving away a free 20% discount voucher for Madman’s online shop. Details below the cut! Applications are now closed. Thanks very much to everyone who applied!
I recently got around to reading Beautiful Fighting Girl by Tamaki Saito (originally published in 2000 as 戦闘美少女の精神分析, lit. ‘A Psychoanalysis of the Beautiful Fighting Girl’). Despite its status alongside Hiroki Azuma’s Otaku: Japan’s Database Animals as one of the landmark publications on “otaku theory”, Beautiful Fighting Girl has made considerably less inroads in English-language scholarship, partly because the English translation only came out in 2011, and partly because Saito’s scholarship is very obviously flawed.
Nevertheless, I thought Beautiful Fighting Girl was a really fascinating read that helped stimulate my own thoughts about otaku sexuality. Saito’s argument that otaku culture is rooted in sexuality is something I find intuitively appealing, not least because I’ve made some similar observations in the past. So in this post, I’d like to critique Saito’s analysis directly, while also building on his more interesting ideas. In this way, I hope to develop a more workable theory of otaku sexuality, or Why Do People Love Their Waifus/Husbandos?